Probably the Arban´s method (link to Amazon) for trumpet (also valid for cornet and other brass instruments) is, as is commonly said, the trumpeter’s Bible. Why? Simply because it is almost certainly the most voluminous and complete trumpet method ever written for this instrument.
In this method, we can find exercises of almost any technical facet that a trumpet student needs to know, and although now we will see in more detail what types of exercises it contains, we can say that it covers a great variety of them (flexibility, technique, scales, studies, etc.). etc…)
Although the Arban method starts with simple exercises, it cannot be considered the best method to get started in the world of the trumpet, since it does not contain a large selection of beginner exercises and, in addition, it quickly increases in difficulty, so it can be difficult. something complex. However, as soon as you have a basic level and register (at least up to a Sun on the pentagram) you can start studying it without any problem.
On the other hand, it is a method organized by type of exercises, so it should not be studied in order from start to finish. Within each type of exercise, they are ordered by difficulty, but it is possible that page 100 has simpler exercises than page 50. Therefore, it is necessary to be clear about what you want to study at each moment and in this way, look for the most suitable exercise.
Going into detail, it can be said that the Arban method is made up of two parts:
The Arban method is so voluminous that we can find exercises from a basic level (although not initiation), up to exercises typical of virtuoso trumpeters. In other words, it is a method that will accompany you, practically, throughout your life as a trumpeter, and if you are able to finish it, it means that you will have become a great virtuoso of the instrument.
Organizing the more than 500 exercises of this method is extremely complex, so we have had to use different sources to try to group each type of exercise in the course that is usually taught, and thus be able to offer you the best possible information. But if you see that any of them should be in another level, do not hesitate to let us know so that we can correct it.
On the other hand, we are working to create a routine that allows us to study the Arban not as the original (by type of exercise), but by exercise difficulty.
We hope to have it soon!
FIRST STUDIES (PAG. 11 - 36) | |
First Studies (Pag. 11 - 22) | |
Ex. 1 - 50 (Pag. 11 - 22) | |
Syncopation (Pag. 23 - 25) | |
Ex. 1 - 12 (Pag. 23 - 25) | |
Eight and sixteenth notes (Pag. 16 - 31) 6x8 meter (Pag. 32 - 36) | |
Ex. 13 - 38 (Pag. 26 - 36) |
STUDIES OF THE SLUR (PAG. 39 - 56) | |
Ex. 1 - 30 (Pag. 39 - 47) | |
Ex. 31 - 69 (Pag. 48 - 56) |
SCALES (PAG. 59 - 86) | |
Major Scales (Pag. 59 - 74) | |
Ex. 1 - 41 (Pag. 59 - 67) | |
Ex. 42 - 69 (Pag. 68 - 74) | |
Minor Scales (Pag. 75) | |
Ex. 70 - 78 (Pag. 75) | |
Chromatic Scales (Pag. 76 - 86) | |
Ex. 1 - 31 (Pag. 76 - 86) |
ORNAMENTS (PAG. 91 - 122) | |
Grupetto (Pag. 91 - 103) Double Appoggiatura (Pag. 104 - 106) Simple Appoggiatura (Pag. 106 - 107) Short Appoggiatura (Pag. 108 - 109) Portamento (Pag. 110 - 111) Trill (shake) (Pag. 111 - 119) | |
Ex. 1 - 88 (Pag. 91 - 122) |
ADVANCE STUDIES (PAG. 125 - 130) | |
Intervals (Pag. 125 - 130) | |
Ex. 1 (Pag. 125) | |
Ex. 2 - 4 (Pag. 126 - 128) | |
Ex. 5 - 7 (Pag. 129 - 130) | |
Octaves and tenths (Pag. 131) | |
Ex. 8 - 12 (Pag. 131) | |
Triplets (Pag. 132 - 136) Sixteenth notes (Pag. 137 - 141) | |
Ex. 13 - 47 (Pag. 132 - 141) | |
Major and minor chords (Pag. 142 - 146) Dominant seventh (Pag. 147 - 148) Diminished seventh (Pag. 149 - 151) Cadenza (Pag. 152) | |
Ex. 48 - 62 (Pag. 142 - 152) |
TONGUING (PAG. 155 - 190) | |
Triple tonguing (Pag. 155 - 174) | |
Ex. 1 - 17 (Pag. 155 - 159) | |
Ex. 12 - 62 (Pag. 158 - 169) | |
Ex. 63 - 76 (Pag. 170 - 174) | |
Double tonguing (Pag. 175 - 182) | |
Ex. 77 - 99 (Pag. 175 - 179) | |
Ex. 87 - 114 (Pag. 177 - 182) | |
Slur and double tonguing (Pag. 183 - 187) | |
Ex. 115 - 122 (Pag. 183 - 184) | |
Ex. 123 - 134 (Pag. 185 - 187) | |
Tonguing applied trumpet (Pag. 188 - 190) | |
Ex. 135 - 145 (Pag. 188 - 190) |
Although the Arban method is, as we have already said, very, very complete, it can also be said that there are certain aspects that it does not cover, for which it would be necessary to focus on other methods that go deeper. For example:
Here are some examples of the performance of this method to give you an idea of how it sounds and how difficult it is.